Everywhere I look there is so much beauty to be found, I'm so inspired to create something like this:
I need one dollar (New York City) from Gioacchino Petronicce on Vimeo.
BALI, JE T'AIME! from artisland on Vimeo.
By jessechan, go check out his work here
i especially love this quirky film about the class divide in spore (also by jessechan)
Saturday, July 21, 2012
my two cents worth
Here
are some things I've learnt about photography through my Bali trip,
random epiphanies, my visual comm module, my teacher/local filmmaker
Tzang, and discussions with like-minded friends:
As Susan Sontag wrote:
1. In
a new environment, don't rush to take pictures.
Don't
be a trigger-happy, unthinking robot. Susan Sontag said that we
shoot in order to gain a sense of control in an unfamiliar setting,
as a way of “ certifying experience... converting experience into
an image, a souvenir.” Take a few days to immerse yourself in the
new culture, mentally note down potential shots, and then begin
shooting. It's not about shooting every single thing you see. You
need to be discerning. Think about why you're taking the picture.
2. As
Tzang said, photographs
should tell a story.
They
shouldn't just be pretty pictures. Instead they should carry depth
and meaning, and most importantly, make people feel something. Also, remember that less is more.
3. Be assertive
(note: not aggressive) If
you want to photograph something, just do it. Stop worrying about
what others may think.
4.Your
photographs reflect who you are
As Susan Sontag wrote:
“ The photographer was thought to be an acute
but non-interfering observer- a scribe, not a poet. But as people
quickly discovered that nobody takes the same picture of the same
thing, the supposition that cameras furnish an impersonal, objective
image yielded to the fact that photographs are evidence not only of
what's there but of what an individual sees, not
just a record but an evaluation of the world”
And
I have found this so telling of the people I've come across. Evelyn's
shots of charming cafes and pretty fields bathed in soft light and
gorgeous smiles hint at her dreamy and girly personality. Likewise
for my senior Ivan Tan, whose photographs are unbearably beautiful,
yet there are undercurrents of melancholia across his work. And
there's my coursemate who shoots only in film, and regards
himself as an "old soul". I don't know why, but I find this so
fascinating. Through photography, the essence
of people is manifested in tangible form.
5. Step
out of your comfort zone and ask strangers for their portraits
People
bring your pictures to life. In Bali, I finally mustered my courage
to approach strangers, and it was so rewarding to see their
flattered and happy expressions as they posed obligingly for the
camera. I tried doing that in Singapore, which is so much harder because Singaporeans are naturally reserved and guarded. Also, you should never treat people like specimens, it's just
demeaning. This observation by Susan Sontag still haunts me:
“To photograph
people is to violate them, by seeing them as they never see
themselves, by having knowledge of them they can never have; it
turns people into objects that can be symbolically possessed. Just
as the camera is a sublimation of the gun, to photograph something
is a sublimated murder- a soft murder, appropriate to a sad,
frightened time.”
6. Don't
forget to put down your camera
While
photography gives an “appearance of participation” (Sontag), it
can never be substituted for the real thing. Don't be so obsessed
with finding the perfect shot that you forget to live and take in
everything around you.
7. And
finally, as Tzang once told my class: Be
sublime.
Sunday, July 8, 2012
kindred spirit
And
as we talked, I saw how the likeness of ourselves were mirrored in
each other. But you were better than me, a dreamer, someone who was
spontaneous and kind and far braver than myself. Unlike me, you were
not content with languishing in a cesspit
of stagnancy, you acknowledged the need
for change, for reinvention of oneself. You didn't have to delve deep
into yourself, scour murky depths
in order to locate the words- they came
naturally to you. You didn't choose to close yourself off from the
world, or remain indifferent, you didn't pull away when people tried
to reach out for you. You were always on the search for beauty, carefully gathering them up in your hands like fistfuls of stardust.
We shot what we could, falling into an easy rhythm of silence before resuming our conversation, all the while looking into different directions, needing different things for ourselves. You looked more closely, breathing life into inanimate objects with your pictures. While I scavenged for scraps of stories, through the old men hunched over the table playing chess, through children who played in the shadows of their absent parents, through the pair of teenage girls walking side by side with all the confidence their youth granted them, through the office workers waiting outside the bank, through a mirror image, only now there were older folks lining up at the 4D counter, clinging on to the 1 in 75 million chance of hitting the jackpot because to think otherwise would be to forsake hope itself.
Some things we talked about:“sometimes I wish we could do away with small talk altogether”“call me idealistic but there's a romance about Europe you can't find elsewhere” “I like intellectuals, people who think about life" “I wish life would slow down a little” "let's learn to be less afraid”
the resemblance in our thinking is uncanny
We shot what we could, falling into an easy rhythm of silence before resuming our conversation, all the while looking into different directions, needing different things for ourselves. You looked more closely, breathing life into inanimate objects with your pictures. While I scavenged for scraps of stories, through the old men hunched over the table playing chess, through children who played in the shadows of their absent parents, through the pair of teenage girls walking side by side with all the confidence their youth granted them, through the office workers waiting outside the bank, through a mirror image, only now there were older folks lining up at the 4D counter, clinging on to the 1 in 75 million chance of hitting the jackpot because to think otherwise would be to forsake hope itself.
Some things we talked about:“sometimes I wish we could do away with small talk altogether”“call me idealistic but there's a romance about Europe you can't find elsewhere” “I like intellectuals, people who think about life" “I wish life would slow down a little” "let's learn to be less afraid”
the resemblance in our thinking is uncanny
Saturday, July 7, 2012
How
long does it take for one's deadened heart to summon up some modicum
of feeling again (a tempest of sorts brewing beneath the seeming calm), what would it take to break someone completely, what
happens if you punish yourself over and over and eventually the pain
seeps into everything you touch like a slow venom, what does it mean
when you read a book and the words no longer pierce but float
away without you comprehending, maybe if you close your eyes you
could just vanish, it would be as if you'd never existed
Friday, July 6, 2012
Increasingly I find that I'm growing more incoherent in my head and on paper.
Over time, the deluge of words, thoughts, have become thick and
sluggish. Slowly choking up. Till I am rendered an almost-mute, barely articulate, spending my days in so much silence. It
becomes easier to express my life in images instead.
Raise my eye to the viewfinder.
Aim.
Click.
Shoot.
As if an inanimate object has the ability to wholly surmise what I see, what I think, what I feel.
Raise my eye to the viewfinder.
Aim.
Click.
Shoot.
As if an inanimate object has the ability to wholly surmise what I see, what I think, what I feel.
Sunday, July 1, 2012
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